Live Design International (LDI)
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About this event
Live Design International (LDI)
Live Design International (LDI), presented as the “leading conference & trade show for the live entertainment industry,” brings together designers, manufacturers, and technology professionals for business, education, and hands-on industry exchange. LDI is positioned not only as a commercial exhibition, but also as an industry learning and networking platform—making it a strong fit for organizations that want to reach professionals involved in show production, technical direction, creative design, and live event technology.
Event overview (from official positioning)
- Event title: Live Design International (LDI)
- Official event positioning: Leading conference & trade show for the live entertainment industry
- Primary community served: Designers, manufacturers, and technology pros for business & training
Core event logistics (dates, venue, city, country)
The official website text provided only confirms the event’s category and positioning; it does not include specific details for dates, venue, city, or country in the excerpt we received. To avoid introducing unreliable information, we keep the following fields blank:
- Date(s):
- Venue:
- City:
- Country:
1) Who attends (BUYERS / ATTENDEES)
LDI’s attendee profile is strongly weighted toward professionals who influence or execute purchasing and vendor selection in live entertainment production. Unlike consumer-focused event shows, LDI typically centers on B2B decision-makers, production leaders, and technical operators. The most valuable “buyers” for list-building are usually the people responsible for specifying equipment, selecting vendors, coordinating production systems, and funding projects for theaters, tours, corporate events, houses of worship, venues, and event production companies.
Main attendee groups we should target
- Design & creative leadership: designers, creative directors, scenic/lighting/sound designers, show designers, and production designers
- Production & technical direction: technical directors, production managers, stage managers, show callers, systems integrators
- Technology & engineering professionals: AV/IT specialists for events, automation technicians, media server operators, RF/wireless professionals, rigging engineers (where applicable), and workflow specialists
- Manufacturers & vendor leadership: product managers, technical sales engineers, application engineers, and channel partners
- Training & education stakeholders: educators, curriculum leaders, training managers, and institutions serving live entertainment programs
- Venue & operator personnel: venue tech directors, in-house AV/production teams, and operational managers for performance spaces
- Touring & large-scale event production: tour production staff, operations managers, and equipment procurement coordinators
Practical buyer intent markers
For attendee-list use cases, the strongest buyer-fit signals are usually job functions tied to: show systems selection, specification, rehearsals/technical planning, commissioning, maintenance contracts, software adoption, vendor partnerships, and staffing for technical production.
2) Where the show is happening + attendee geographic origin
The excerpt we received does not provide the event’s venue location or country. Because we do not want to risk inaccuracies, we keep geographic details unfilled. What we can reliably state based on the event’s stated purpose is that LDI serves the live entertainment industry community, which is inherently international.
What we typically expect for geographic origin (without over-claiming)
- Local/near-local professionals: production and venue staff within the host region
- National attendees: industry professionals across the same country/state network
- International visitors: designers and technology pros connected to tours and production standards who attend industry conferences abroad
If you share the LDI year you want to target (or the exact event dates/venue URL page), we can tighten this section with a precise origin narrative.
3) Audience reach (Local / National / Global)
Based on LDI’s positioning as a leading conference & trade show in live entertainment, the audience reach is best understood as: industry-wide national reach with strong global participation through manufacturers, technology professionals, and designers serving touring and international production markets.
- Local: venue-adjacent professionals and nearby training/education groups
- National: show production companies, venues, and creative/technical decision-makers within the host country
- Global: manufacturers and technology companies with international distribution, plus production pros who work on touring and cross-border events
4) Sample buyer company names (BUYERS ONLY) + websites
Below are sample buyer-style targets that align to LDI’s “designers, manufacturers & technology pros” framing. These are representative buyer types for attendee-list research and outreach sequencing. We will refine the list once we have your client product requirements and the specific LDI year/location.
| Priority | Company | Website | Best Title to Target | Why This is a Good Buyer Fit |
|---|---|---|---|---|
| 1 | AVIXA | https://www.avixa.org/ | Education & Training Director / Industry Development Manager | Strong alignment to AV education and industry standards; ideal for training and professional development audiences around live events. |
| 2 | Shure | https://www.shure.com/ | Technical Sales / Solutions Engineer / Channel Manager | Microphones and audio technology connect directly to live sound use cases; buyers often specify vendor solutions for venues and productions. |
| 3 | QSC | https://www.qsc.com/ | Product Marketing Manager / Technical Sales Manager | Audio systems are common in touring and venues; QSC leadership often engages with event production decision-makers and integrators. |
| 4 | HARMAN Professional Solutions | https://www.harman.com/ | Professional Solutions Product Manager / Sales Director (Pro Audio) | Live entertainment audio and technology ecosystems match LDI’s manufacturer + technology-pro focus. |
| 5 | Sony Professional | https://www.sony.com/pro/ | Business Development Manager / Solutions Lead (Broadcast & Pro) | Video and media workflow professionals overlap with live show media production; ideal for tech-driven buyer outreach. |
| 6 | Christie Digital | https://www.christiedigital.com/ | Applications Engineer / Sales Director | Projection and display technology is core to stage visual systems; strong fit for those specifying show media hardware. |
| 7 | Elation Professional | https://www.elationlighting.com/ | Product Manager (Lighting) / Technical Sales Engineer | Stage lighting and control systems are central to live production; buyers/leadership roles often attend to meet production decision-makers. |
| 8 | Vari-Lite / Signify Stage & Entertainment | https://www.signify.com/ | Entertainment Lighting Product Marketing / Sales Lead | Entertainment lighting products attract buyers who specify technical stage systems and performance lighting solutions. |
| 9 | ETC (Electronic Theatre Controls) | https://www.etcconnect.com/ | Sales Engineer / Technical Account Manager | ETC is deeply connected to live lighting control; excellent alignment with technical directors and production engineering leaders. |
| 10 | Zero 88 (part of Focus Lighting) | https://www.zer88.com/ | Regional Sales Manager / Applications Support Lead | Lighting control buyers and integrators typically evaluate solutions at trade shows focused on live entertainment technology. |
| 11 | Riedel Communications | https://www.riedel.net/ | Business Development Manager / Sales Director (Media Networks) | Communications and live production networks are mission-critical; strong buyer fit for technology pros and systems integrators. |
| 12 | Ross Video | https://www.rossvideo.com/ | Director of Sales / Product Specialist (Live Production) | Live production switching, automation, and media systems map to the conference’s technology & manufacturer audience. |
| 13 | MDG (Machine Detection Group) / Atmospheric Effects (if applicable) | https://www.mdg.com/ | Sales Director / Technical Solutions Manager | Atmospherics and special effects are high-value for entertainment production; buyers often evaluate capabilities and vendor support. |
| 14 | Green Hippo | https://www.greenhippo.com/ | Regional Sales Manager / Technical Applications Engineer | Media servers and visual playback drive stage content workflows; strong target for show media decision-makers. |
| 15 | Black Box | https://www.blackbox.com/ | Solutions Engineer / AV Systems Sales Manager | AV connectivity and infrastructure solutions are frequently specified by venue and production technical leaders. |
| 16 | Encore | https://www.encoreproject.com/ | Procurement Lead / Project Executive (Event Technology) | Event production technology services connect to buyer decision-making around delivery, staffing, and vendor selection. |
| 17 | CREATIVE / Media Servers integrator (generic placeholder) | Systems Integrator Director / AV Engineering Manager | LDI’s best buyers often include integration firms and engineering teams that specify full-stack solutions; we customize to your product. | |
| 18 | Venue Tech / Production Services (generic placeholder) | Technical Director / Head of Production Technology | Venues and production partners are direct users of stage systems and technology; we map titles once we know your client’s offer. | |
| 19 | Education / Training Provider (live production programs) | Program Director / Training Manager | LDI explicitly supports “business & training,” so education and training buyers are a meaningful segment depending on your product. | |
| 20 | Wireless & RF solutions provider (if applicable) | Product Marketing Manager / Solutions Architect | Wireless audio and RF coordination is a recurring live production requirement; we tighten selections with your product categories. |
Best 5 to send first (starter set): Shure, QSC, ETC, Elation Professional, Christie Digital. These are broadly aligned to live entertainment production categories (audio, lighting control, display/projection) that typically map well to LDI audiences.
5) Job profiles, industries & event type
Best job profiles to target
- Technical Director (Venue / Production)
- Production Manager (Live Events / Touring)
- Lighting Designer / Lighting Director
- Audio Engineer / Sound Designer
- Systems Integrator / AV Engineering Manager
- Applications Engineer (technology manufacturers)
- Solutions Engineer (AV & media workflow)
- Product Manager / Product Marketing Manager (manufacturing side)
- Director of Business Development (pro audio/video/entertainment tech)
- Training Program Director / Education Manager
- Procurement / Vendor Management Lead (for venues & production companies)
- Studio/Production Technology Lead (if your offering supports content delivery workflows)
Industries (based on Apollo-style category logic, adapted to LDI)
We map LDI to industries most likely to contain buyers who work in show production and entertainment technology. From your provided industry list, we prioritize:
- Entertainment
- Events Services
- Broadcast Media
- Media Production
- Information Technology & Services
- Computer Software (media workflow, stage software)
- Machinery (rigging and automation overlap, if applicable)
- Electrical/Electronic Manufacturing (hardware products)
- Marketing & Advertising (for production marketing/experiential campaigns, depending on client)
Event type
LDI is best categorized as a hybrid of: conference + trade show/expo with an emphasis on live entertainment design, manufacturing, and technology solutions supporting business and training.
6) Estimated attendance (expected total footfall)
The official excerpt we received does not include attendance numbers or footfall estimates. To keep accuracy high, we leave this field blank until we have the specific page section or an LDI year/version that states attendance.
- Estimated attendance / expected total footfall:
7) Key focus areas & buyer engagement
Since LDI’s official positioning centers on designers, manufacturers, and technology professionals for business and training, the most likely focus areas we should plan for include the entire live production stack: creative design workflows, stage hardware selection, media control systems, audio/lighting/display technology, and operational training for production teams.
Key focus areas we should map your outreach to
- Show design disciplines: lighting, audio, scenic/visual design coordination
- Live production technology: AV systems, media playback, networking/workflows, control systems
- Manufacturing & product evaluation: new equipment launches and compatibility discussions
- Training and upskilling: sessions that support technicians, designers, and production teams
- Operational reliability: maintainability, deployment readiness, and support for touring/venue operations
- Vendor partnerships: collaboration between creators, integrators, and manufacturers
How we recommend buyer engagement framing
When we build outreach messaging, the most effective angles usually avoid generic “attendance” language and instead focus on: your product’s role in show workflows, who specifies or administers it, and what outcomes buyers care about (performance, reliability, ease of deployment, production efficiencies, training adoption).
8) Client-product fit note (required next step)
We can produce the best buyer shortlist and a much more accurate “buyers only” targeting plan once we review your client product. Please share your client’s website URL.
What we will do after we review the client website
- Extract the product category (hardware/software/service) and the primary use case in live entertainment
- Identify the best-fit buyer roles (specifier roles vs. influencer roles vs. procurement roles)
- Match the product to the most relevant LDI attendee segments (designers, manufacturers, technology pros, trainers)
- Recommend the top industries from your Apollo industry list that align to the client offer
- Select priority buyer companies and the most relevant job titles for outreach
Please send the client website URL and we will return: (1) a refined top-15 to top-20 buyer-company table, and (2) an optimized list of target job titles and industries for LDI.
9) Final recommendation (readiness & quality expectations)
LDI is typically a strong event for reaching high-value live entertainment decision-makers because the show is built around designers, manufacturers, and technology professionals—exactly the roles most associated with specifying technology, evaluating products, and supporting production and training.
- Strengths: B2B-centric community, strong technical and creative buyer presence, cross-industry relevance (audio/lighting/media/control)
- Watch-outs: attendee lists should be filtered by role relevance (buyers/specifiers/technical directors) to avoid over-indexing on general attendees
- What we need to improve accuracy: LDI year + venue/city details + your client website
If you reply with the client website (and the specific LDI edition/year you want), we will produce a fully tailored buyer shortlist and a stronger buyer-only sample table with higher confidence fit.
Data sheet
| Event Name | Live Design International (LDI) |
| Event Date | 6 Dec 2026 to 8 Dec 2026 |
| Event Status | Upcoming |
| Venue | Las Vegas Convention Center |
| City | Las Vegas |
| State / Region | NV |
| Country | United States |
| Organizer | LDI Show / official event organizer as presented on the event website |
| Official Event Website | LDI Show |
| Event Type | Conference & trade show |
| Primary Category | Entertainment & Media |
| Secondary Applicable Categories | Business Services, IT & Technology, Industrial Engineering |
| Audience Reach | Global |
| Estimated Attendance / Expected Footfall | Attendance figure not publicly confirmed by the organizer. |
| Attendance Data Reliability | Low to medium; no current-year attendance figure publicly confirmed in the provided primary source text. |
| Main Purpose of Event | A leading conference and trade show for the live entertainment industry, bringing together designers, manufacturers, and technology professionals for business, networking, and training. |
Live Design International (LDI) is a major B2B event for the live entertainment ecosystem, centered on production technology, design, staging, lighting, audio, video, special effects, and show control. The event connects manufacturers, integrators, designers, rental companies, venues, and production teams that support concerts, touring, festivals, live events, houses of worship, corporate events, broadcast environments, and themed attractions.
The event matters because it sits at the intersection of creative production and technical procurement. It is especially relevant for organizations evaluating new hardware, software, AV systems, staging solutions, workflow tools, and training resources. For suppliers, LDI offers access to decision-makers and influencers who specify, purchase, rent, deploy, or recommend live production technologies.
| Buyer / Attendee Segment | Typical Organizations | Buying Role or Influence | Relevance to Exhibitors / Suppliers |
|---|---|---|---|
| Live event production buyers | Production companies, tour operators, event producers | Specify and purchase core production equipment and services | High-value targets for AV, lighting, control, rigging, and show technologies |
| Rental and staging companies | AV rental firms, staging suppliers, live production houses | Buy inventory, replace gear, and evaluate new product lines | Strong fit for suppliers of deployable, durable, and scalable equipment |
| Venue and facility operators | Theaters, arenas, convention centers, casinos, performing arts venues | Influence infrastructure, upgrades, and capital procurement | Relevant for installed AV, lighting, rigging, safety, and facility systems |
| Designers and technical directors | Lighting designers, production designers, technical directors | Influence product selection and system specifications | Useful for product education and specification-led selling |
| Broadcast and media technology teams | Streaming teams, studio production, media integrators | Evaluate live production tools, video workflows, and control systems | Strong interest in IP video, streaming, automation, and content tools |
| Corporate event teams | Brand experience teams, in-house event departments, agencies | Purchase or specify event production services and technologies | Relevant for experiential, hybrid event, and presentation technology suppliers |
| Technology integrators | AV integrators, systems integrators, control system providers | Recommend and install production technologies | High-fit for manufacturers and software vendors seeking channel partners |
| Educators and trainers | Technical educators, training providers, association leaders | Influence industry standards, skills development, and product adoption | Supports training, certification, and ecosystem partnership selling |
| Geographic Area | Likely Attendee Origin | Buyer Concentration | Notes |
|---|---|---|---|
| Host city: Las Vegas | High local and regional attendance | High | Major U.S. live entertainment and venue market with strong convention infrastructure |
| Host state: Nevada | Regional buyers from Nevada and neighboring western states | Medium | Convenient for casino, hospitality, theater, and entertainment operators |
| Nearby business hubs: Los Angeles, Phoenix, San Diego, Salt Lake City | West Coast production, rental, and entertainment buyers | High | Strong concentration of studios, event firms, AV integrators, and touring production teams |
| National reach: United States | Nationwide buyer and influencer attendance | Very High | Relevant for venue operators, production companies, rental houses, agencies, and integrators across the country |
| International reach | Canada, Europe, Latin America, Asia-Pacific | Medium to high | Live production technology is globally traded; international manufacturers and buyers often participate |
| Trade corridor relevance | U.S. entertainment, AV, and event technology supply chain | High | Useful for channel sales, distributors, and manufacturer rep networks |
| Reach Level | Assessment | Explanation |
|---|---|---|
| Global | Primary classification | LDI serves a globally connected live entertainment and production technology market, with cross-border manufacturers, designers, and technology buyers. |
| Buyer Company / Organization | Buyer Type | Why It Is Relevant | Website | Best Job Titles to Target | Evidence Level |
|---|---|---|---|---|---|
| Live Nation Entertainment | Promoter / venue operator | Large-scale live events, touring, and venue operations create strong demand for production technology and services. | livenation.com | Procurement Director, Production Director, Technical Director, Operations Director | Strong Market Fit, Attendance Not Confirmed |
| MGM Resorts International | Casino / hospitality venue operator | Operates entertainment venues and event spaces with recurring AV and show-production needs. | mgmresorts.com | Facilities Director, AV Manager, Event Technology Manager, Procurement Manager | Strong Market Fit, Attendance Not Confirmed |
| Caesars Entertainment | Casino / hospitality venue operator | Uses live entertainment, convention, and meeting infrastructure at scale. | caesars.com | Director of Operations, AV Procurement, Event Services Director, Facilities Director | Strong Market Fit, Attendance Not Confirmed |
| AEG Presents | Promoter / live entertainment operator | Touring, festivals, and venue programming align closely with LDI’s buyer base. | aegpresents.com | Production Manager, Technical Director, Tour Manager, Procurement Lead | Strong Market Fit, Attendance Not Confirmed |
| Production Resource Group (PRG) | Production services / rental | Major live event technology services provider and likely buyer of advanced production solutions. | prg.com | VP Procurement, Engineering Director, Product Manager, Operations Director | Strong Market Fit, Attendance Not Confirmed |
| Encore | Event production / AV services | Provides event technology and production services to venues and corporate clients. | encoreglobal.com | Category Manager, Procurement Director, AV Director, Operations Manager | Strong Market Fit, Attendance Not Confirmed |
| Freeman | Trade show / event services | Key supplier to exhibitions and large-scale event operations; strong alignment with show infrastructure needs. | freeman.com | Operations Director, Procurement Manager, Production Director, Program Manager | Strong Market Fit, Attendance Not Confirmed |
| Meyer Sound | Audio technology manufacturer | Buyer of channel feedback, distribution, and technical decision-maker relationships in live sound. | meyersound.com | VP Sales, Product Manager, Technical Director, Business Development Director | Strong Market Fit, Attendance Not Confirmed |
| Robe lighting | Lighting technology manufacturer | Core product category aligned with designers, integrators, and rental houses. | robe.cz | Sales Director, Product Manager, Distributor Manager, Technical Sales Manager | Strong Market Fit, Attendance Not Confirmed |
| Claypaky | Lighting technology manufacturer | Strong fit for product demos and distributor/channel development. | claypaky.com | Business Development Director, Product Marketing Manager, Regional Sales Manager | Strong Market Fit, Attendance Not Confirmed |
| Shure | Audio technology manufacturer | Relevant to live sound, wireless, and production workflow buyers. | shure.com | Category Manager, Product Manager, Sales Director, Systems Engineer | Strong Market Fit, Attendance Not Confirmed |
| Avolites | Lighting control technology | Control and programming solutions are central to LDI attendee demand. | avolites.com | Technical Director, Sales Manager, Product Specialist, Training Manager | Strong Market Fit, Attendance Not Confirmed |
| Priority | Job Title / Function | Department | Seniority Level | Why This Role Matters |
|---|---|---|---|---|
| 1 | Director of Procurement / Procurement Manager | Procurement | Mid to senior | Owns purchasing decisions for equipment, services, and vendor selection. |
| 2 | Technical Director / Production Director | Production / Operations | Senior | Influences product specification, deployment, and technical standards. |
| 3 | VP Sales / Business Development Director | Commercial | Senior | Targets partnerships, channel growth, and new business opportunities. |
| 4 | Lighting Designer / Sound Designer / Video Designer | Creative / Technical Design | Mid to senior | Directly influences product preference and system design recommendations. |
| 5 | Operations Director / Facilities Director | Operations / Facilities | Senior | Responsible for infrastructure, maintenance, and capital planning. |
| 6 | Systems Integrator / AV Engineer | Engineering | Mid | Specifies and installs control, AV, and production systems. |
| 7 | Category Manager / Product Manager | Product / Merchandising | Mid to senior | Evaluates product line demand, positioning, and market fit. |
| Priority | Apollo Industry | Why It Fits the Event | Best Buyer Use Case |
|---|---|---|---|
| 1 | Entertainment | Core event industry for live production, touring, and show technology. | Venue operators, promoters, production firms |
| 2 | Events Services | Directly aligned with event production and show management. | Event agencies, production services, show suppliers |
| 3 | Broadcast Media | Relevant for live content capture, streaming, and hybrid production. | Media workflows, live broadcast tech |
| 4 | Media Production | Strong fit for production houses and technical content creators. | Studios, production teams, content operations |
| 5 | Information Technology & Services | Relevant for show-control, software, networking, and workflow tools. | Tech buyers for live production systems |
| 6 | Computer Software | Useful for control software, design tools, and content platforms. | Software evaluation and channel sales |
| 7 | Electrical/Electronic Manufacturing | Core manufacturers of lighting, audio, and AV hardware. | Manufacturers seeking distributors and buyers |
| 8 | Business Supplies & Equipment | Covers operational purchasing for production support organizations. | Facility and production procurement |
| 9 | Design | Important for show, lighting, scenic, and experience design buyers. | Design-led specification and partnership selling |
| 10 | Hospitality | Relevant for hotels, resorts, casinos, and event venues. | Venue technology and event infrastructure buyers |
| 11 | Retail | Useful for brand experience and in-store event technology buyers. | Experiential retail and display technology |
| 12 | Construction | Relevant for stage infrastructure, rigging, and venue build-outs. | Technical build, installation, and facilities upgrade projects |
| Metric | Figure | Status | Source / Basis | Notes |
|---|---|---|---|---|
| Estimated total footfall | Not publicly confirmed | Confirmed unavailable | Official site text provided does not include attendance figures | Use organizer or registration data if available later |
| Exhibitor count | Not publicly confirmed | Confirmed unavailable | No official current-year count in provided source text | Potentially available on exhibitor directory or floor plan pages |
| Buyer count | Not publicly confirmed | Confirmed unavailable | No buyer program count provided in source text | Use only if an official attendee or hosted-buyer list is published |
| Speaker count | Not publicly confirmed | Confirmed unavailable | No official agenda or speaker total in provided source text | Verify via official agenda if needed for outreach |
| Historical attendance | Not used here | Not estimated | No reliable prior-year attendance figure provided in the supplied official text | Attendance figure not publicly confirmed by the organizer. |
| Focus Area | Typical Buyer Need | Buyer Engagement Opportunity | Relevant Supplier Offering |
|---|---|---|---|
| Production technology | Reliable, scalable tools for live events and touring | Demo-driven selling to technical buyers | Lighting, audio, video, control, rigging |
| Show control and software | Integrated control and workflow efficiency | Target systems integrators and technical directors | Cueing, automation, media servers, control software |
| Audio and wireless | Performance, RF reliability, and deployment flexibility | Lead with technical specs and live demonstrations | Microphones, monitors, intercom, wireless systems |
| Lighting and visual effects | Creative impact and production reliability | Specification-led engagement with designers | Fixtures, consoles, effects, pixels, lasers |
| Venue infrastructure | Upgrades, safety, and lifecycle replacement | Facilities and capital-project outreach | Installed AV, rigging, truss, power, safety systems |
| Training and education | Skills development and certification | Partnerships with associations and training teams | Certification, courses, onboarding tools |
| Channel and distribution | Reliable supply and market expansion | Meet distributors, resellers, and rep firms | Partner programs, enablement, demo units |
| Factor | Assessment | Explanation |
|---|---|---|
| Buyer relevance | Very High | The event attracts production, venue, and technology buyers aligned to live entertainment procurement. |
| Decision-maker availability | High | Technical directors, procurement leaders, operations heads, and product decision-makers are likely attendees. |
| Data collection potential | Medium | Useful if exhibitor, speaker, or agenda data becomes available; attendee lists are not publicly confirmed here. |
| Apollo targeting potential | Very High | Strong fit for targeting by industry, title, department, and event-tech keywords. |
| Geographic targeting potential | High | Good concentration in U.S. West Coast and nationwide live production hubs, plus international manufacturers. |
| Best outreach approach | High | Target by role, product need, and live-event use case; emphasize demos, ROI, and reliability. |
| Overall lead quality | Very High | One of the stronger events for live entertainment and event-technology buyer targeting. |
| Best use case | B2B attendee list building | Well suited for lead generation, account targeting, sponsor outreach, and exhibitor prospecting. |
| Limitations / risks | Moderate | No public current-year attendee count or attendee list in the provided official source text. |
| Filter Type | Recommended Filters | Purpose |
|---|---|---|
| Apollo industries | Entertainment; Events Services; Media Production; Broadcast Media; Information Technology & Services; Computer Software; Electrical/Electronic Manufacturing | Focus on live production buyers and technology suppliers. |
| Departments | Procurement; Operations; Production; Engineering; IT; Facilities; Sales; Business Development | Reach both buyers and technical influencers. |
| Seniority | Manager; Director; VP; C-Level; Owner | Prioritize decision-makers and budget owners. |
| Job titles | Procurement Director, Technical Director, Production Director, Operations Director, Facilities Director, Product Manager, AV Manager, Engineering Manager, Business Development Director, VP Sales | Align search results to live entertainment buying authority. |
| Geography | United States; West Coast; Nevada; California; New York; Texas; Florida; Canada; United Kingdom | Cover core North American buyers and international suppliers. |
| Employee size | 11-50, 51-200, 201-500, 501-1,000, 1,001-5,000, 5,001+ | Capture both specialized firms and enterprise venue operators. |
| Keywords | live events, production, AV, audiovisual, lighting, stage, rigging, show control, broadcast, touring, rental, venue, entertainment technology | Hone in on LDI-relevant demand signals. |
| Company type | Private; Public; Subsidiary; Enterprise; Mid-market; Owner-operated | Support both direct buyers and channel targets. |
| Revenue range | Flexible; prioritize companies with meaningful event or equipment spend | Useful for balancing large venue operators and specialist service firms. |
| Source | Type | What It Verified | Reliability |
|---|---|---|---|
| LDI Show official website | Official organizer / event website | Event description, industry positioning, and conference/trade show nature | High |
| User-provided event details | Primary event brief | Dates, venue, city, region, and country for the 2026 edition | Medium to high |
| Las Vegas Convention Center | Venue source reference | Venue identity and location alignment | High |
| Official exhibitor / agenda / registration pages | Potential future verification sources | Would verify current-year exhibitor, speaker, sponsor, and attendee-related data if published | High if consulted directly |
🎯 Selling to this event's audience? Get a free tailored buyer list
Tell us your work email and our AI instantly builds a buyer list matched to Live Design International (LDI) — the best‑fit companies to target, the exact decision‑maker job titles, and the industry filters that fit what you sell.