CategorySecurity & Defense
CrimeCon 2026
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About this event
CrimeCon 2026
Event type: True crime, media, podcasts, investigations, law enforcement, forensic storytelling, public safety, consumer fan event, and creator-led conference.
Estimated attendance: Likely a medium-scale event with strong fan engagement, brand sponsorship interest, and a concentrated audience of media consumers, creators, investigators, publishers, legal professionals, and public-safety adjacent businesses. Final footfall depends on the city, venue size, and programming mix.
Important note: To refine the best buyer list for your client, please share your client website or product page. The best targets change significantly depending on whether your client sells media subscriptions, security products, investigative services, legal services, software, consumer goods, or sponsorship packages.
1️⃣ Who attends: buyers / attendees
CrimeCon is not a traditional procurement-heavy trade show. It is a highly engaged audience event built around true crime interest, storytelling, investigations, media personalities, and public-safety themes. That said, there are clear commercial buyer segments inside the audience and around the sponsor ecosystem.
Main attendee groups:
- True crime fans and podcast listeners
- Podcast hosts, producers, journalists, editors, and content teams
- Investigators, former law enforcement professionals, and forensic specialists
- Legal professionals, trial consultants, and litigation support teams
- Security companies, surveillance solution providers, and fraud prevention teams
- Publishers, streaming platforms, documentary teams, and media distributors
- Nonprofit organizations focused on victim advocacy, missing persons, and public safety
- Sponsors, exhibitors, brand marketers, and audience-growth teams
The strongest commercial value comes from people and companies that want to reach an audience deeply interested in crime, justice, investigations, safety, media, and real-world case storytelling.
2️⃣ Where the show is happening + attendee geographic origin
Venue / city: Please confirm the 2026 host city and venue before final targeting. CrimeCon events typically rotate and attract a destination audience rather than a purely local audience.
Attendee geographic origin: Usually national with meaningful regional and some international draw. Because the event is content-driven and fandom-led, attendees often travel from across the country for speakers, panels, live recordings, meet-and-greets, and networking.
Best geographic targeting:
- U.S. nationwide audience
- Strong regional pull from the host city and surrounding states
- English-speaking international listeners and media buyers if the event has globally recognized creators or brands
3️⃣ Audience reach: Local / National / Global
Reach type: National with selective global visibility.
CrimeCon is usually a national-scale consumer and creator event with high online reach through podcasts, social media, streaming communities, and press coverage. It is not primarily a local trade fair. The audience is often spread across the U.S., and the digital influence can extend far beyond the on-site attendees.
4️⃣ Sample buyer company names + websites
Below are sample buyer accounts that fit the event well from a commercial and audience-alignment perspective. These are not random companies; they are companies that either align with the crime/investigation/public-safety/media ecosystem or may sponsor, exhibit, advertise, or buy attendee data for relevant outreach.
| Priority | Company | Website | Best Title to Target | Why This is a Good Buyer Fit |
|---|---|---|---|---|
| 1 | CBS News | cbsnews.com | Executive Producer, Crime & Justice | Strong alignment with investigative reporting, documentaries, and public-interest storytelling. |
| 2 | NBC News | nbcnews.com | Senior Producer, Investigative Unit | Relevant for news coverage, specials, and audience engagement around real-world cases. |
| 3 | Warner Bros. Discovery | wbd.com | Director, Content Partnerships | Very strong fit for documentary, unscripted, and true-crime content distribution. |
| 4 | Netflix | netflix.com | Manager, Documentary Acquisitions | Excellent fit for true-crime content, series development, and audience research. |
| 5 | Disney | disney.com | Brand Partnerships Director | Good fit for media partnerships, podcast sponsorships, and audience-extension campaigns. |
| 6 | SiriusXM | siriusxm.com | Podcast Partnerships Manager | Highly relevant for audio content, podcast promotion, and cross-channel audience monetization. |
| 7 | iHeartMedia | iheartmedia.com | VP, Podcast Sales | Great fit for podcast distribution, ad sales, and live fan activation. |
| 8 | Wondery | wondery.com | Head of Audience Development | Ideal for true-crime podcast listeners and premium audio audience acquisition. |
| 9 | Audacy | audacy.com | National Sales Director | Strong match for podcast ads, live-event sponsorships, and audience segmentation. |
| 10 | Penguin Random House | penguinrandomhouse.com | Marketing Director, Nonfiction | Good fit for books, memoirs, investigative nonfiction, and event-based author promotion. |
| 11 | Simon & Schuster | simonandschuster.com | Publicity Manager, Nonfiction | Relevant for crime writing, author events, and audience growth through fan communities. |
| 12 | Thomson Reuters | thomsonreuters.com | Product Marketing Manager, Legal Solutions | Strong fit for legal, research, and information-services products tied to investigations. |
| 13 | LexisNexis | lexisnexis.com | Account Executive, Legal & Government | Good fit for legal research, case intelligence, compliance, and investigative workflows. |
| 14 | Axon | axon.com | Public Safety Partnerships Manager | Very strong fit for law enforcement technology, evidence capture, and public-safety outreach. |
| 15 | Motorola Solutions | motorolasolutions.com | Channel Sales Director, Public Safety | Relevant for emergency communications, law enforcement tech, and safety-focused sponsorships. |
| 16 | Ring | ring.com | Partnerships Manager | Good fit for home security, consumer safety, and community awareness campaigns. |
| 17 | ADT | adt.com | Demand Generation Director | Strong audience match for home security buyers and safety-conscious consumers. |
| 18 | LifeLock | lifelock.com | Brand Marketing Manager | Excellent fit for identity protection, fraud prevention, and consumer trust messaging. |
| 19 | Coursera | coursera.org | Partnerships Manager | Can align with legal studies, criminal justice education, and professional learning audiences. |
| 20 | National Center for Missing & Exploited Children | missingkids.org | Development Director | Mission-aligned nonprofit with a strong fit for advocacy, awareness, and sponsor engagement. |
Top 5 best samples to send first: Warner Bros. Discovery, Netflix, SiriusXM, Axon, and LifeLock. These cover content, audio, public safety, and consumer protection, which are the strongest commercial lanes for this event.
5️⃣ Job profiles, industries & event type
Best job profiles to target:
- Director, Content Partnerships
- Executive Producer, Documentary / Investigative
- Senior Producer, Crime & Justice
- Podcast Partnerships Manager
- Head of Audience Development
- Brand Partnerships Director
- Marketing Director, Nonfiction
- Public Safety Partnerships Manager
- Product Marketing Manager, Legal or Security Solutions
- Account Executive, Media / Legal / Public Sector
- Development Director, Nonprofit Advocacy
- Communications Director, Victim Services
- Research Director, Investigative Media
- Community Engagement Manager
- Partnerships Manager
Best industry filters to use:
- Media Production
- Broadcast Media
- Online Media
- Publishing
- Public Relations & Communications
- Legal Services
- Law Practice
- Security & Investigations
- Public Safety
- Information Services
- Market Research
- Marketing & Advertising
- Consumer Services
- Nonprofit Organization Management
- Philanthropy
- Higher Education
- Government Relations
- Insurance
- Financial Services
- Technology or software companies serving evidence, case management, fraud detection, or identity protection
6️⃣ Estimated attendance / expected footfall
Without the official 2026 venue and published capacity, the safest estimate is a mid-sized event with high engagement density. For attendee-list strategy, the key is not just raw headcount but the quality of the audience mix.
Practical footfall expectation:
- Strong live attendance from fans and community members
- High concentration of media and content professionals
- Meaningful sponsor and partner presence
- Potentially strong digital amplification through podcasts, social content, and press coverage
If your client wants direct-response leads, the real value is usually in the sponsor layer, media layer, legal/public-safety layer, and brand partnerships layer rather than the general fan audience alone.
7️⃣ Key focus areas & buyer engagement
Key focus areas likely to drive buyer interest:
- True crime storytelling and investigative journalism
- Podcast growth, monetization, and advertising
- Documentary development and content licensing
- Public safety, evidence, and investigation tools
- Identity protection, fraud prevention, and consumer security
- Victim advocacy and nonprofit awareness campaigns
- Legal research and case intelligence solutions
- Brand sponsorships and audience activation
- Book launches, author signings, and nonfiction promotion
- Community education and crime-prevention messaging
Buyer engagement angle: The best pitch is not “we have an attendee list.” It is better to position the opportunity as access to a highly engaged audience around crime storytelling, media consumption, safety, legal interest, and public trust. That is far more persuasive for companies in media, security, legal, publishing, and identity protection.
8️⃣ Client-product fit note
Before finalizing the highest-value buyers, I need your client website or product page. The right buyer segment depends on what your client sells.
If the client sells media or content tools: target publishers, podcast networks, production companies, and streaming teams.
If the client sells security or fraud-prevention products: target public safety brands, home security companies, identity protection providers, and investigative technology vendors.
If the client sells legal or research solutions: target law firms, legal tech companies, research platforms, and litigation support teams.
If the client sells consumer sponsorship or brand awareness packages: target podcast networks, media owners, book publishers, and consumer brands with trust-based messaging.
Best next step: share the client website and I can tighten the buyer list to the exact companies, titles, and Apollo-style industry filters that match the offer.
9️⃣ Final recommendation
CrimeCon 2026 can be a strong event for attendee-list sales, but only if you position it correctly. It is not a classic B2B procurement conference. It is better treated as a high-intent media, public-safety, investigations, legal, and consumer-engagement audience.
Best buyer segments to collect:
- Media companies and podcast networks
- Streaming and documentary buyers
- Security and identity-protection brands
- Legal technology and research companies
- Public safety and investigative solutions providers
- Publishers and nonfiction book marketers
- Nonprofit advocacy and awareness organizations
Quality rating for audience-list sales: 7.5/10
This is a strong event if your client wants a niche, highly engaged audience with media, crime, safety, and investigation interests. The biggest success factor is matching the offer to the right buyer type, which is why the client website is essential before outreach.
Data sheet
CrimeCon 2026 – Event Attendee & Buyer Profile Analysis
Event date: 29 May 2026 – 30 May 2026
Location: Las Vegas, United States
Event status: Completed
Research date: 22 June 2026
Event Overview
| Event Name | CrimeCon 2026 |
| Event Date | 29 May 2026 – 30 May 2026 |
| Event Status | Completed |
| Venue | Las Vegas; specific facility not publicly confirmed in the supplied details |
| City | Las Vegas |
| State / Region | Las Vegas (user-supplied); organizer-level state verification recommended |
| Country | United States |
| Organizer | Official organizer name not confirmed in the supplied details; verify via event website |
| Official Event Website | crimecon.com |
| Event Type | True crime, media, podcast, investigative storytelling, law-enforcement-adjacent, creator-led consumer and business networking event |
| Primary Category | Entertainment & Media |
| Secondary Applicable Categories | Security & Defense; Business Services |
| Audience Reach | National, with selective international digital-media interest |
| Estimated Attendance / Expected Footfall | Attendance figure not publicly confirmed by the organizer. |
| Attendance Data Reliability | Low for numeric estimates; event theme and audience composition are directionally clear, but current-edition volume data was not verified from a published official count in the supplied details |
| Main Purpose of Event | To convene true crime audiences, creators, investigative personalities, public-safety-adjacent experts, media brands, and sponsors around live programming, storytelling, fan engagement, education, and commercial partnerships |
About the Event
CrimeCon is a content-led live event built around true crime fandom, investigative storytelling, podcasts, television personalities, legal analysis, and public-safety-adjacent programming. Unlike a conventional procurement expo, it combines fan attendance with creator networking, media sponsorship, premium brand activation, and education-oriented sessions relevant to journalists, producers, investigators, legal specialists, and audience-engagement teams.
From a commercial perspective, the event matters most for media sales, sponsorships, audience acquisition, podcast and streaming partnerships, creator collaborations, investigative tools, brand licensing, publishing, legal-support services, and select security or public-safety adjacent offerings. It is best viewed as a niche but high-intent engagement environment rather than a broad enterprise sourcing marketplace.
1. Who Attends: Buyers / Attendees
| Buyer / Attendee Segment | Typical Organizations | Buying Role or Influence | Relevance to Exhibitors / Suppliers |
|---|---|---|---|
| Podcast and audio content teams | Podcast networks, audio studios, creator businesses, distribution platforms | Sponsor selection, production tools, audience-growth services, licensing, content partnerships | High relevance for media-tech, ad sales, audience analytics, publishing, and creator-service vendors |
| Streaming, TV, and documentary content executives | TV networks, streaming services, production houses, studio development teams | Content acquisition, co-production, talent partnerships, sponsorship and merchandising decisions | Strong fit for licensing, media sales, rights management, production, and advertising suppliers |
| Journalists, editors, and investigative media professionals | Newsrooms, digital publishers, investigative media outlets, freelance investigative practices | Research tools, records access, verification software, data subscriptions, event speaking influence | Relevant for research databases, information services, legal-support tools, and publishing partnerships |
| Legal professionals and trial-support specialists | Law firms, trial consulting groups, forensic support providers, litigation service firms | Service procurement, expert witness sourcing, case research, partnership evaluation | Useful for legal tech, case-management software, forensic services, and expert-network providers |
| Investigators and forensic specialists | Private investigation firms, forensic consultancies, retired law-enforcement-led practices | Tools, data sources, surveillance-adjacent services, continuing education influence | Relevant for investigative software, documentation tools, security services, and training providers |
| Public-safety-adjacent professionals | Associations, advocacy groups, training organizations, awareness campaigns | Educational partnerships, speaking influence, brand validation | Moderate fit for awareness campaigns, training, outreach, and nonprofit partnerships |
| Brand sponsors and experiential marketers | Consumer brands, agencies, event-marketing firms, audience-acquisition teams | Sponsorship buying, campaign activation, creator partnerships, lead capture | High relevance for sponsorship sales, event tech, data capture, and branded-content services |
| Publishers and book/media rights teams | Publishing houses, literary agencies, rights managers, audiobook businesses | Title promotion, rights deals, author programming, cross-media collaboration | Good fit for promotional platforms, rights tech, and audience monetization vendors |
| Creators, influencers, and talent managers | Independent creators, management firms, creator agencies, personality-led brands | Tool selection, content monetization, merchandising, audience growth | Strong fit for creator software, merchandise, audience analytics, and direct-to-fan platforms |
| Fans and premium consumers | Direct ticket buyers, fan communities, subscribers, collectors | Consumer purchase decisions, subscription intent, merchandise demand, community engagement | Relevant for D2C offers, memberships, subscriptions, books, collectibles, and fan experiences |
2. Event Location and Attendee Geographic Origin
| Geographic Area | Likely Attendee Origin | Buyer Concentration | Notes |
|---|---|---|---|
| Host city: Las Vegas | Local attendees, destination travelers, event and entertainment professionals | Moderate | Las Vegas supports fly-in attendance well and favors sponsor activations, fan events, and content-led programming |
| Host region | Southwest U.S. drive/fly market | Moderate | Regional draw likely includes nearby western states for consumer and creator attendance |
| Nearby business hubs | Los Angeles, Phoenix, San Diego, Salt Lake City, Denver | High for media and creator economy prospects | These hubs align with entertainment, production, legal, and marketing-service audiences |
| National reach | U.S.-wide fan, creator, podcast, publisher, and sponsor audience | High | Crime and investigative content communities are heavily national in audience composition |
| International reach | Selective English-speaking and creator-network visitors | Low to Moderate | International participation may exist through digital media ecosystems, but public confirmation was not reviewed |
3. Audience Reach
| Reach Level | Assessment | Explanation |
|---|---|---|
| Primary: National | Best-fit classification | CrimeCon is positioned around a broad U.S. true-crime audience and national media personalities rather than a city-only or purely regional market |
| Secondary: Regional | Travel convenience effect | Las Vegas location likely improves western U.S. participation, especially for creators, sponsors, and fans willing to travel for destination events |
4. Sample Buyer Companies and Websites
Current-year company-level attendee, buyer, exhibitor, and sponsor confirmations were not fully available in the supplied details. The sample organizations below are relevant prospecting targets for CrimeCon-style outreach and are clearly marked as market-fit targets rather than confirmed 2026 attendees.
| Buyer Company / Organization | Buyer Type | Why It Is Relevant | Website | Best Job Titles to Target | Evidence Level |
|---|---|---|---|---|---|
| Wondery | Podcast network | Relevant for true-crime audience acquisition, content partnerships, live-event sponsorship, and creator collaboration | wondery.com | Head of Partnerships, VP Marketing, Director of Live Events, Audience Development Director | Strong Market Fit, Attendance Not Confirmed |
| SiriusXM / SiriusXM Podcasts | Audio platform and podcast buyer | Relevant for ad inventory, show promotion, talent partnerships, and premium audience monetization | siriusxm.com | Director of Content Partnerships, Sponsorship Manager, VP Media Sales | Strong Market Fit, Attendance Not Confirmed |
| Audacy | Audio media company | Fits podcast promotion, branded-content sponsorship, and media distribution use cases | audacyinc.com | VP Podcasts, Director of Partnerships, Brand Marketing Director | Strong Market Fit, Attendance Not Confirmed |
| Law&Crime | Legal and crime-focused media brand | High thematic overlap with courtroom coverage, true crime audiences, and sponsor alignment | lawandcrime.com | Head of Partnerships, Executive Producer, Sponsorship Sales Director | Strong Market Fit, Attendance Not Confirmed |
| A&E Networks | TV and documentary media buyer | Relevant for documentary development, audience engagement, and sponsorship campaigns around crime content | aenetworks.com | Development Executive, VP Partnerships, Marketing Director | Strong Market Fit, Attendance Not Confirmed |
| NBCUniversal | Broadcast and streaming media company | Relevant for content licensing, personality activation, and national advertising or audience-growth partnerships | nbcuniversal.com | Director of Content Strategy, Sponsorship Director, Audience Growth Lead | Strong Market Fit, Attendance Not Confirmed |
| Netflix | Streaming buyer and content platform | Relevant for documentary commissioning, rights sourcing, publicity, and fan-marketing tie-ins | netflix.com | Content Acquisition Manager, Documentary Development Executive, Consumer Marketing Lead | Strong Market Fit, Attendance Not Confirmed |
| Spotify | Audio platform | Relevant for podcast distribution, audience subscriptions, and branded-content monetization | spotify.com | Podcast Partnerships Lead, Advertising Director, Audience Development Manager | Strong Market Fit, Attendance Not Confirmed |
| Penguin Random House | Publisher | Relevant for crime-title promotion, author programming, rights, and audience monetization | penguinrandomhouse.com | Publicity Director, Events Marketing Manager, Rights Director | Strong Market Fit, Attendance Not Confirmed |
| HarperCollins | Publisher | Relevant for author-led true crime titles, promotion, licensing, and fan sales | harpercollins.com | Marketing Director, Publicity Manager, Rights and Licensing Lead | Strong Market Fit, Attendance Not Confirmed |
| CACI | Investigative and analytics contractor | Relevant for public-safety-adjacent analytics, investigative technology, and expert thought leadership | caci.com | Director of Business Development, Program Director, Partnerships Lead | Strong Market Fit, Attendance Not Confirmed |
| Thomson Reuters | Legal and information services buyer | Relevant for legal research, investigative information products, and professional audience engagement | thomsonreuters.com | Product Marketing Director, Partnerships Director, Legal Solutions Executive | Strong Market Fit, Attendance Not Confirmed |
5. Job Profiles, Industries and Event Type
| Priority | Job Title / Function | Department | Seniority Level | Why This Role Matters |
|---|---|---|---|---|
| 1 | VP Partnerships | Partnerships / Business Development | VP | Owns sponsorship, co-marketing, distribution, and strategic brand relationships |
| 2 | Director of Partnerships | Partnerships | Director | Key buyer for audience-sharing, events, creator deals, and media collaboration |
| 3 | Sponsorship Sales Director | Sales / Sponsorship | Director | Buys or packages event inventory, activations, and branded placements |
| 4 | Audience Development Director | Marketing / Growth | Director | Influences subscription growth, event promotion, and CRM/data acquisition |
| 5 | Executive Producer | Content / Production | Director / Executive | Shapes format, talent, live programming, and content partner selection |
| 6 | Content Acquisition Manager | Content / Programming | Manager | Relevant for rights, documentary, book adaptation, and creator sourcing |
| 7 | Marketing Director | Marketing | Director | Owns campaign budgets, live activations, and audience conversion tactics |
| 8 | Publicity Director | Communications / PR | Director | Important for talent appearances, title launches, and media visibility |
| 9 | Business Development Director | Business Development | Director | Relevant for investigative-tech, legal-tech, and public-safety-adjacent solution sales |
| 10 | Program Manager | Events / Programs | Manager | Useful operational contact for activations, vendor selection, and speaker logistics |
| Priority | Apollo Industry | Why It Fits the Event | Best Buyer Use Case |
|---|---|---|---|
| 1 | Broadcast Media | Core fit for television, documentary, and crime-story programming stakeholders | Content partnerships, sponsorship, audience reach |
| 2 | Online Media | Strong fit for digital investigative brands and creator-led publishers | Traffic growth, subscriptions, ad sales |
| 3 | Media Production | Relevant for documentary, podcast, and live production organizations | Production services, tools, talent collaboration |
| 4 | Entertainment | Fits fan events, celebrity appearances, premium experiences, and branded activations | Experiential marketing, event partnerships |
| 5 | Publishing | Relevant for true crime books, author tours, and rights teams | Book launches, rights, audience conversion |
| 6 | Marketing & Advertising | High fit for sponsor agencies and audience-acquisition buyers | Brand partnerships, campaign activation |
| 7 | Information Services | Fits research, records, legal information, and investigative data providers | Subscription sales, research tools |
| 8 | Legal Services | Relevant for trial support, forensic experts, and law firms serving crime-related matters | Case support, expert sourcing, research |
| 9 | Security & Investigations | Relevant for investigative firms, former law-enforcement consultancies, and security-adjacent providers | Investigative tools, training, consulting |
| 10 | Computer Software | Useful for media workflows, analytics, CRM, ticketing, or research platforms | SaaS sales, event tech, audience insights |
| 11 | Events Services | Relevant for organizers, activation agencies, and event operations buyers | Booth builds, lead capture, activation execution |
| 12 | Public Relations & Communications | Fits publicity teams managing talent, launches, and event narratives | Media relations, awareness campaigns |
6. Estimated Attendance
| Metric | Figure | Status | Source / Basis | Notes |
|---|---|---|---|---|
| Estimated total footfall | Attendance figure not publicly confirmed by the organizer. | Not Confirmed | Organizer count not verified in supplied details | User reference describes medium-scale potential, but no official count was confirmed |
| Exhibitor count | Not publicly confirmed | Not Confirmed | Current exhibitor directory not reviewed | CrimeCon is more sponsor/content-led than booth-heavy in many editions |
| Buyer count | Not publicly confirmed | Not Confirmed | No buyer program confirmation in supplied details | Not a traditional hosted-buyer event |
| Speaker count | Not publicly confirmed | Not Confirmed | Official agenda count not reviewed | Program likely includes creators, hosts, legal experts, and investigators |
| Sponsor count | Not publicly confirmed | Not Confirmed | Current sponsor list not verified | Sponsorship appears commercially important, but count is unverified |
| Historical attendance | Historical / prior-year evidence not included here due to lack of verified official count in supplied details | Historical Evidence Pending | Official prior-year pages should be reviewed before quoting | Use only official retrospective pages or press releases for future numeric validation |
7. Key Focus Areas and Buyer Engagement
| Focus Area | Typical Buyer Need | Buyer Engagement Opportunity | Relevant Supplier Offering |
|---|---|---|---|
| Podcasting and audio storytelling | Audience growth, monetization, production quality, sponsor fit | Host meetups, partner deals, ad inventory discussions | Audio tools, analytics, ad sales, CRM, creator services |
| Investigative journalism | Research efficiency, source verification, public-records access | Tool demos, thought leadership, subscription sales | Information services, legal databases, workflow software |
| Legal analysis and courtroom coverage | Case support, expert commentary, audience trust, specialist services | Networking with analysts, media legal talent, and trial-support firms | Legal services, case tools, expert networks |
| Documentary and video content | Rights, narratives, production talent, platform partnerships | Pitch meetings, co-production introductions, publicity campaigns | Production services, rights management, audience marketing |
| Creator-led commerce | Merchandising, subscriptions, premium memberships, fan retention | Direct-to-fan offers and creator partnerships | E-commerce, membership platforms, merchandise, CRM |
| Public safety and investigative expertise | Credibility, education, specialist insight, professional tools | Training partnerships, consulting, expert-led sessions | Investigations, training, security-adjacent software and services |
| Sponsorship and brand activation | Targeted audience access, conversion, experiential impact | Booths, lounges, stage sponsorships, branded content | Event tech, lead capture, activations, sponsorship sales support |
Lead Quality Assessment
| Factor | Assessment | Explanation |
|---|---|---|
| Buyer relevance | Medium to High | Strong for media, sponsorship, creator, publishing, legal-information, and investigative-service offers; weaker for generic industrial or procurement-led sellers |
| Decision-maker availability | Medium | Content, partnerships, and marketing leaders are plausible targets, but the event is not a structured enterprise buying forum |
| Data collection potential | Medium | Useful for sponsor and creator lead capture, though public attendee transparency may be limited |
| Apollo targeting potential | High | Buyer profiles map well to media, publishing, legal, security, software, and event-service filters |
| Geographic targeting potential | High | National U.S. targeting is appropriate, with extra focus on media hubs and creator economies |
| Best outreach approach | High | Use partnership-led messaging, audience-growth language, content monetization angles, and event activation ROI rather than procurement language |
| Overall lead quality | Medium | Strong niche quality if client serves media, fan communities, legal information, or investigative services; otherwise less direct |
| Best use case | High | Best for sponsorship sales, audience monetization, content partnerships, creator outreach, and niche B2B media prospecting |
| Limitations / risks | Medium | Not a classic procurement event; current attendee and sponsor transparency may be limited; careful qualification is required |
Apollo.io Targeting Recommendation
| Filter Type | Recommended Filters | Purpose |
|---|---|---|
| Apollo industries | Broadcast Media; Online Media; Media Production; Entertainment; Publishing; Marketing & Advertising; Information Services; Legal Services; Security & Investigations; Computer Software; Events Services; Public Relations & Communications | Build a focused media-plus-adjacent prospect universe |
| Departments | Partnerships, Business Development, Marketing, Media, Content, Production, Events, Communications, Legal, Operations | Capture commercial and programming decision-makers |
| Seniority | Owner, Partner, CXO, VP, Director, Head, Manager | Focus on budget holders and team leaders |
| Job titles | VP Partnerships, Director of Partnerships, Sponsorship Director, Audience Development Director, Executive Producer, Content Acquisition Manager, Marketing Director, Publicity Director, Business Development Director, Program Manager | Mirror the most relevant event buyer profiles |
| Geography | United States; prioritize California, New York, Tennessee, Texas, Georgia, Nevada, Illinois, Washington, Massachusetts | Target U.S. media, publishing, and creator-economy hubs |
| Employee size | 11-50; 51-200; 201-500; 501-1000; 1001-5000; 5001+ | Covers creator businesses through enterprise media groups |
| Keywords | true crime, podcast, documentary, investigative, legal media, courtroom, forensics, audience growth, content licensing, sponsorship, fan experience, creator economy | Narrow toward CrimeCon-adjacent demand signals |
| Technologies, if relevant | Podcast hosting, CRM, ticketing, email marketing, streaming, analytics platforms | Useful when selling martech, media-tech, or event-tech services |
| Revenue range, if relevant | $1M-$10M; $10M-$50M; $50M-$250M; $250M+ | Supports segmentation between niche creator brands and large media buyers |
| Company type | Private, Public, Subsidiary, Nonprofit where content or advocacy relevance exists | Broadens prospecting across media ecosystems |
Suggested Apollo Search Logic: ("true crime" OR investigative OR podcast OR documentary OR courtroom OR legal media OR forensics) AND (partnerships OR sponsorship OR audience OR content OR production OR publicity OR events) with geography set to United States and seniority filtered to Director, VP, Head, CXO, or Manager.
Client Fit Review Required
Please share the client website or product/service details. I will review the client offering and identify the highest-fit buyer companies, Apollo industries, seniority levels, departments, and job titles from this event.
Sources & Verification Notes
| Source | Type | What It Verified | Reliability |
|---|---|---|---|
| CrimeCon Official Website | Official event source | Primary event brand, event identity, and organizer-level validation starting point | High for event existence; current-edition specifics should be checked on the exact 2026 event page |
| User-supplied event details | Provided input | Dates, city, country, venue text, and reference description used in this report | Medium; should be checked against official 2026 event page before list sales or outbound claims |
| Las Vegas Official Visitor / Destination Resource | Destination source | Geographic context for destination-event travel profile | Medium for destination context only; not an event confirmation source |
| Verification note | Research control | Specific 2026 venue facility, organizer legal entity, attendance count, speaker count, exhibitor count, and sponsor list were not quoted because they were not verified in the supplied details | High integrity / conservative reporting standard |
Suitability for B2B attendee list building: Moderate. Best for niche media, creator, sponsorship, legal-information, and investigative-service targeting rather than classic procurement-led attendee list sales.
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